Author: JC Heisler

  • Van Gogh

    Van Gogh

    “It is good to love many things, for therein lies the true strength, and whosoever loves much performs much, and can accomplish much, and what is done in love is well done.”

    – Van Gogh

  • Einstein

    Einstein

    “No problem can be solved from the same level of consciousness that created it.”

    “A good learner is one who is inquisitive and consciously committed to developing their own awareness, through their study and ever deepening experience of music.”

    “Education is not the learning of facts, but the training of the mind to think.”

    “Everything should be made as simple as possible, but not simpler”

    “I think the most important question facing humanity is, ‘Is the universe a friendly place?’ This is the first and most basic question all people must answer for themselves.”

    – Albert Einstein

  • “Mistakes”

    “Mistakes”

    Do not practice in order to avoid mistakes.

    In doing this, you will make avoidance and anxiety a performance habit; they will become part of your aesthetic.

    Your weariness will always be arrested by hypotheticals and “someday” will never come.

    Create. Do not analyze. Do not compare.

    Through the Art Form, act decisively with your essence and be arrested by the movements and flow of your attention.

    – JC Heisler

  • T.S. Eliot

    T.S. Eliot

    “So here I am, in the middle way…trying to use words, and every attempt is a wholy new start, and a different kind of failure because one has only learnt to get the better of words for the thing one no longer has to say, or the way in which one is no longer disposed to say it. And so each venture is a new beginning, a raid on the inarticulate, with shabby equipment always deteriorating in the general mess of imprecision of feeling, undisciplined squads of emotion. And what there is to conquer by strength and submission, has already been discovered once or twice, or several times, by men whom one cannot hope to emulate – but there is no competition -There is only the fight to recover what has been lost and found and lost again and again: and now, under conditions that seem unpropitious but perhaps neither gain nor loss. For us, there is only the trying. The rest is not our business.”

    T.S. Eliot, ‘Four Quartets’

  • Mingus “Awesomely Simple…”

    Mingus “Awesomely Simple…”

    “Anybody can play weird, that’s easy.

    What’s hard is to be as simple as Bach.

    Making the simple complicated is commonplace.

    Making the complicated simple– awesomely simple-that’s creativity.”

    – Charles Mingus, 1972

  • Casals

    Casals

    “… I am a man first, an artist second. As a man, my first obligation is to the welfare of my fellow men. I will endeavor to meet this obligation through music – the means which God has given me since it transcends language, politics and national boundaries. My contribution to world peace may be small, but at least I will have given all I can to an ideal I hold sacred.”

    – Pablo Casals

  • Perform Practice; Be Made

    Perform Practice; Be Made

    The goal of practice is to accept and learn through repetition, to unapologetically perform your unique sound with genuine abandonment, in pure honest expression; so that the music arrests your complete attention, captivating true devotion to your own talent, artistic inspirations, and developing abilities.

    Be patient. Be kind. Be attentive and curious.

    Settle to the naturally simplest; Be Made.

    – JC Heisler

  • Merton

    Merton

    “Many poets are not poets for the same reason that many religious men are not saints: they never succeed in being themselves.”

    – Thomas Merton

    “Do not depend on the hope of results. You may have to face the fact that your work will be apparently worthless and even achieve no result at all; if not perhaps results opposite to what you expect.

    As you get used to this idea, you start more and more to concentrate not on the results, but on the value, the rightness, the truth of the work itself. You gradually struggle less and less for an idea… In the end, it is the reality of personal relationship that saves everything.”

    – Thomas Merton

  • Prodigy of Imbecility

    Prodigy of Imbecility

    “We all feel the riddle of the earth without anyone to point it out. The mystery of life is the plainest part of it.”

    G.K. Chesterton

    “One of the deepest and strangest of all human moods is the mood which will suddenly strike us perhaps in a garden at night, or deep in sloping meadows, the feeling that every flower and leaf has just uttered something stupendously direct and important, and that we have by a prodigy of imbecility not heard or understood it.

    There is a certain poetic value, and that a genuine one, in this sense of having missed the full meaning of things. There is beauty not only in wisdom, but in this dazed and dramatic ignorance.”

    – G.K. Chesterton

  • Pierre Thibaud -“Equal Dignity”

    Pierre Thibaud -“Equal Dignity”

    1) Practice, Practice, Practice;

    2) Experiment, Research, Always Search;

    3) Trumpeters don’t like studying scales. If you ask a violinist to play you scales in major, minor, diminished he’ll play them for you in the blink of an eye. Try asking a trumpeter and you’ll see. Study the scales.

    4) Always practice what is worst for you, it is useless to always play what is good for you;

    5) On the day you don’t study, hundreds of trumpet players are studying at that moment, and they are the ones who steal your place when you do the competitions;

    6) Stamp, Schlossberg, Clarke, Caruso, Arban. Practice Caruso, create your own daily routine;

    7) The study of the trumpet has equal dignity with all other disciplines; a doctor practices, a lawyer practices, an engineer practices…study and practice make the difference. We can all always improve. Don’t stop searching.

    Giorgio Baggiani post 11/12/23

    Pierre Thibaud Facebook Memorial Group 

  • Society Needs Artists

    Society Needs Artists

    “To all who are passionately dedicated to the search for new ‘epiphanies’ of beauty so that through their creative work as artists they may offer these as gifts to the world…

    Society needs artists, just as it needs scientists, technicians, workers, professional people, witnesses of the faith, teachers, fathers and mothers, who ensure the growth of the person and the development of the community by means of that supreme art form which is “the art of education.

    Within the vast cultural panorama of each nation, artists have their unique place. Obedient to their inspiration in creating works both worthwhile and beautiful, they not only enrich the cultural heritage of each nation and of all humanity, but they also render an exceptional social service in favour of the common good.

    The particular vocation of individual artists decides the arena in which they serve and points as well to the tasks they must assume, the hard work they must endure and the responsibility they must accept. Artists who are conscious of all this know too that they must labour without allowing themselves to be driven by the search for empty glory or the craving for cheap popularity, and still less by the calculation of some possible profit for themselves. There is therefore an ethic, even a “spirituality” of artistic service, which contributes in its way to the life and renewal of a people.”

    – JP II

  • Cultivating Total Responsibility in the Student

    Cultivating Total Responsibility in the Student

    “The whole movement of life is learning. There is never a time in which there is no learning. Every action is a movement of learning and every relationship is learning. The accumulation of knowledge, which is called learning and to which we are so accustomed, is necessary to a limited extent, but that limitation prevents us from comprehending ourselves. Knowledge is measurable, more or less, but in learning there is no measure. This is really very important to understand, especially if you are to grasp the full meaning of a religious life.

    Knowledge is memory and if you have observed the actual, the now is not memory. In observation memory has no place. The actual is what is actually happening. The second later is measurable and this is the way of memory.

    To observe the movement of an insect needs attention – that is if you are interested in observing the insect or whatever interests you. This attention again is not measurable. It is the responsibility of the educator to understand the whole nature and structure of memory, to observe this limitation and to help the student to see this. We learn from books or from a teacher who has a great deal of information about a subject and our brains are filled with this information. This information is about things, about nature, about everything outside of us and when we want to learn about ourselves we turn to books that tell about ourselves. So this process goes on endlessly and gradually we become second-hand human beings. This is an observable fact throughout the world and this is our modern education.

    So we must be very clear in the understanding of the word leisure – a time, a period, when the mind is not occupied with anything whatsoever. It is the time of observation. It is only the unoccupied mind which can observe. A free observation is the movement of learning. This frees the mind from being mechanical.

    It is the absolute responsibility of the teacher to cultivate the flowering of goodness in leisure. For this reason the schools exist.

    It is the responsibility of the teacher to create a new generation to change the social structure from its total preoccupation with earning a livelihood. Then teaching becomes a holy act.

    Education is not merely the teaching of various academic subjects, but the cultivation of total responsibility in the student.

    One does not realize as an educator that one is bringing into being a new generation. Most schools are only concerned with imparting knowledge. They are not at all concerned with the transformation of man and his daily life, and you – the educator in these schools – need to have this deep concern and the care of this total responsibility. Seeing the truth of it will bring about naturally this love and total responsibility.

    You have to ponder it, observe it daily in your life, in your relations with your wife, your friends, your students. And in your relationship with the students you will talk about this from your heart, not pursue mere verbal clarity. The feeling for this reality is the greatest gift that man can have and once it is burning in you, you will find the right word, right action and correct behaviour.

    When you consider the student you will see that he comes to you totally unprepared for all this. He comes to you frightened, nervous, anxious to please or on the defensive, conditioned by his parents and the society in which he has lived his few years. You have to see his background, you have to be concerned with what he actually is and not impose on him your own opinions, conclusions and judgements. In considering what he is it will reveal what you are, and so you will find the student is you.

    Can you do this? Not because you all agree to do it after discussing and coming to a conclusion, but rather see with an inward eye the extraordinary gravity of this: see for yourself. Then what you say will have significance. Then you become a centre of light not lit by another. As you are all of humanity – which is an actuality, not a verbal statement – you are utterly responsible for the future of man. Please do not consider this as a burden. If you do, that burden is a bundle of words without any reality. It is an illusion. This responsibility has its own gaiety, its own humour, its own movement without the weight of thought.”

    – J. Krishnamurti

  • Top Five Trumpet Mistakes

    Top Five Trumpet Mistakes

    • uncoordinated inhale of too much air
    • blowing too much air
    • lips too tight
    • unaware of the functions of the aperture
    • unaware of the functions of the tongue
  • Music within The Music

    Music within The Music

    “All of these amazing personalities in the music I embraced and really tried to understand the music and the feeling behind the rhythm of it all.

    Because everybody has their own rhythm. 

    And when you can execute your own rhythm inside the harmony, with the melody, then all of a sudden you’re starting to say something, and not saying something somebody else said.  You’re saying it on your own because you’re feeling it.

    Creating music within the music. 

    You have all these spring boards along the way that happened in your development and in your personal history as an improviser and a storyteller. When you’re playing with some beautiful storytellers, that influence stays with you. It goes beyond a technical approach on your instrument.

    You have your technique together.  You have to get around your horn.  You have to play in all 12 and you have to deal at all tempos.  But then to be expressive within that is another element of storytelling. 

    That’s what jazz it all about; the blues, trying to tell your story within whatever the music is.

    …really developing inside the music you’re playing. 

    The music is one thing.  Now, how to create music within that music, for the moment, and have its own life; not just playing the tune.

    Your sound is your approach.

    And the more you can develop within the different approaches of improvising, the more you’re going to be able to say something in the music.

    To be a stylist without style inside the feeling, the spirit of the music, the rhythm spirit, the harmonic and melodic spirit.

    Miles Davis set the pace.  And today in 2022, he is still sett’n the pace about telling a story and being yourself; and technique is about expression.

    When it’s not about flying around your horn and trying to “Go for House”, which a lot of folks do… that’s easy… To say something and to play a ballad, to really be expressive in the music… Man, Miles Davis changed the world, man… You listen to him today on any of his recordings and you feel what you’re listening to.

    You have to be sincere and really get deep into the feeling of the music, not just the notes. It’s how you play those notes.”

    – Joe Lovano

  • Must I Write?

    Must I Write?

    “Nothing touches a work of art so little as words of criticism: they always result in more or less fortunate misunderstandings. Things aren’t all so tangible and sayable as people would usually have us believe…

    You ask whether your verses are any good….

    You are looking outside, and that is what you should most avoid…No one can advise or help you – no one. 

    There is only one thing you should do. Go into yourself. Find out the reason that commands you to write; see whether it has spread its roots into the very depths of your heart…

    This most of all: ask yourself in the most silent hour of your night: must I write?

    And if this answer rings out in assent, if you meet this solemn question with a strong, simple “I must” then build your life in accordance with this necessity; your whole life, even into its humblest and most indifferent hour, must become a sign and witness to this impulse. Then come close to Nature.

    If your everyday life seems poor, don’t blame it; blame yourself; admit to yourself that you are not enough of a poet to call forth its riches; because for the creator there is no poverty and no poor, indifferent place.

    And if out of, this turning within, out of this immersion in your own world, poems come, then you will not think of asking anyone whether they are good or not.

    …for you will see them as your dear natural possession, a piece of your life, a voice from it. A work of art is good if it has arisen out of necessity.

    That is the only way one can judge it. 

    So, dear Sir, I can’t give you any advice but this: to go into yourself and see how deep the place is from which your life flows; at its source you will find the answer to, the question of whether you must create. 

    Accept that answer, just as it is given to you, without trying to interpret it. Perhaps you will discover that you are called to be an artist. Then take that destiny upon yourself, and bear it, its burden and its greatness, without ever asking what reward might come from outside.”

    – Rilke: ‘Letters to a Young Poet’